Illustrated Public Talks

Each talk lasts 1 hour, with 10 minutes for Q&A. Suitable for adults and families – the talk can be tailored for the ability and awareness of the group.

Seaside Entertainment

The Pierrotters

A lecture demonstration about the history of seaside entertainment with Tony Lidington: what is the British seaside? How did it come about? What are the origins of the seaside pierrot troupe and  concert party…and how modern pop  music and comedy are rooted in these  very British Artforms.

Tony’s archive of seaside Pierrot troupes and concert parties is believed to be the most extensive in existence.

Suitable for ages  11+, with original archive material, data- projected imagery and live 78 gramophone music…there’s   even the chance to singalong! A CD of seaside entertainment is available for sale too.

Pantomime

Dick Whittington opening scene

Where does pantomime come from? What makes a pantomime? Why is this peculiarly British style of show so successful? See our Pantomime page to see the depth of Tony Lidington’s experience in this specialised field.

 

Pre-cinema

Raree Man viewing device

The origins of moving pictures… Raree men, peepshows, waxworks, magic lanterns and the bioscope. This is the story of how storytelling evolved from the showman’s banter to the mass medium of cinema, television and now the digital age… and how things haven’t really changed at all!

 

Victorian and Edwardian Entertainments

Copy of Cruikshank 1 Monkey

The real roots of contemporary British popular culture. A lecture-demonstration on music hall, minstrel troupes, concert parties, pantomime, circus, Punch & Judy from one of the country’s most exciting purveyors of British performance heritage.

Please feel free to Contact Tony about Talks and discuss what you would like

 


Upcoming Talks

  • “A treasure trove of joy and rapture – the lost history of pierrots and concert parties rediscovered through postcards” – Picture Postcard Monthly, June 2018

Recent Talks and Lectures

Dates of talks/papers for teaching & research:

  • ‘In the Belly of the Beast: The Itinerant British Showman and the definition of ‘Seer Performance’’. Popular Entertainment Studies, March 2017
  • Paper: for ‘A Million Pictures AHRC project “A Fantastical Phantasmagorical Phenomenon for the Twenty-First Century – ghosts, gauzes and grandiloquence.” (2017)
  • Lecture: ‘“The wonder of all wonders that ever the world has wondered at…”- nineteenth century itinerant peepshows and their re-imagining for a digital age.’ Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University (2017)
  • ‘The History of Commedia costume in popular British performance’ for costume & design BA course at Bournemouth University (2018 & 2015)
  • Keynote speech at ACE’s Arts Fund-raising & Philanthropy Fellowships (2013)
  • ‘Travelling peepshows – past and present’ The Magic Lantern (Autumn 2016)
  • ‘My Pierrot Hero’, Banjo Mandolin Guitar journal(Summer 2015)
  • ‘New Terms for Old Turns’,New Theatre Quarterly Volume III Number 10 (May 1987)

Exeter University – ‘Flea circuses, showmanship & pantomime’

Cambridge Interdisciplinary Performance Network, Cambridge University – ‘19th century peep-shows re-imagined in the digital age’ for the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH)

Plymouth Art College – ‘Commedia Costume into the Modern Age’. Bournemouth University – ‘The history, evolution & meaning of the British pierrot tradition’

Bournemouth University – ‘The history, evolution & meaning of the British pierrot tradition’


Doctor Tony Lidington I presume

Tony was awarded his doctorate (PhD) through publication and performance practice entitled “‘The Itinerant British Showman’: an exploration of the history and contemporary realisation of three popular entertainment forms” by Exeter University in May 2017 .

This thesis was presented as an ebook – if you would like to read the original version, complete with video excerpts and interactive footnotes & appendices, please contact Tony directly. A reduced version of the thesis was published in the international performance journal ‘Popular Entertainment Studies’ 190-963-1-PB Published article in Popular Entertainment Studies

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